halloween town online

In a place called Halloweentown, good and evil look very different than one might expect. Thanks to a visit from Grandmother Aggie (Debbie Reynolds), Marnie (Kimberly J. Brown) and her family's tradition of ignoring the Halloween holiday are about to change in the extreme. It seems that Marnie's mother Gwen (Judith Hoag) has been hiding a big secret from her three children--all of them possess supernatural powers. Now that it's Marnie's thirteenth birthday, she must begin her training as a witch or lose her powers forever. While Gwen wants nothing more than to see her children grow up as "normal" humans, Grandmother Aggie and Marnie have other ideas. A brewing crisis between good and evil in the alternate world Halloweentown soon pulls the entire family through a portal and into an intense battle against ghouls, goblins and the warlock Kalabar (Robin Thomas). Halloweentown II takes place two years after Halloweentown and finds Kalabar's son bent on revenge. Marnie has matured as a witch, but her powers are pushed to the limit in a desperate effort to triumph over an evil curse in order to save Halloweentown, her family and the human world. This is good Disney Halloween fun with nice costuming and special effects, a wholesome message about the power of family, cooperation and perseverance, and ghouls that, though creepy looking, aren't likely to inspire nightmares in younger family members. (Ages 5 and older) --Tami Horiuchi

Join Marnie (Kimberly J. Brown) and her grandmother Aggie (Debbie Reynolds) as they stir up a cauldron full of comedy and adventure in two Disney Channel classics -- HALLOWEENTOWN and HALLOWEENTOWN II: KALABAR'S REVENGE. On her 13th birthday, Marnie learns she's a witch, discovers a secret portal, and is transported to Halloweentown -- a magical place where ghosts and ghouls, witches and werewolves live apart from the human world. But she soon finds herself battling wicked warlocks, evil curses, and endless surprises. HALLOWEENTOWN DOUBLE FEATURE will charm pixies, trolls, and families everywhere every day of the year.

I love a good family Halloween movie. Something that's not too scary for little ones, but still something absorbing enough for adults. There are actually three of these movies now as the third, "Halloweentown High" came out in 2004 and it's too bad that Disney didn't release all three together.

The basic premise is that there is an alternate world from our own where it is always Halloween called, of course, Halloweentown. Aggie Cromwell (the radiant Debbie Reynolds) is a powerful witch as is her daughter Gwen (Judith Hoag). Aggie wants to train Gwen's daughter Marnie (Kimberly Brown) to use her powers before she loses them when she turns 13. This results in a big argument between Aggy and Gwen. Aggy returns to Halloweentown but Marnie and her two siblings Dylan and Sophie secretly follow her. Once there they learn about a dark force threatening Halloween town and only the combined power of all the Cromwell women, including Mom Gwen can stop it.

In the sequel, virtually the entire Main cast returns as Marnie has now become more proficient with her powers and as we learned at the end of the first film it turns out that the younger siblings also have developing powers of their own. This time their old foe Kalabar is back to wreak havoc and try to turn the people of our normal world into monsters.

The special effects and makeup in these films are above average, especially for made-for-tv films. All of the denizens of Halloween town are monsters of some sort and could be a tad scary for little ones but probably not too much. Kimberly Brown really develops as an actress and holds her own with the veteran Debbie Reynolds. Judith Hoag gets to do a bit more in this sequel as well.

Halloween Town is a dream world filled with citizens such as deformed monsters, ghosts, ghouls, goblins, vampires, werewolves and witches. Jack Skellington ("The Pumpkin King") leads them in a frightful celebration every Halloween, but he has grown tired of the same routine year after year. Wandering in the forest outside the cemetery, he accidentally opens a portal to "Christmas Town". Impressed by the feeling and style of Christmas, Jack presents his findings and his (somewhat limited) understanding of the festivities to the Halloween Town residents. They fail to grasp his meaning and compare everything he says to their idea of Halloween. He reluctantly decides to play along and announces that they will take over Christmas.

Jack's obsession with Christmas leads him to usurp the role of Santa Claus. Every resident is assigned a task, while Sally, a rag doll woman who is created by the town's mad scientist, begins to feel a romantic attraction towards Jack. However, she alone fears that his plans will become disastrous. Jack assigns Lock, Shock and Barrel, a trio of mischievous children, to abduct Santa and bring him back to Halloween Town. Against Jack's wishes and largely for their amusement, the trio deliver Santa to Oogie Boogie, a gambling-addict bogeyman who plots to play a game with Santa's life at stake.

Christmas Eve arrives and Sally attempts to stop Jack with fog, but he embarks into the sky on a coffin-like sleigh pulled by skeletal reindeer, guided by the glowing nose of his ghost dog Zero. He begins to deliver presents to children around the world, but the gifts (shrunken heads, Christmas tree-eating snakes, etc.) only terrify the recipients. Jack is believed to be an imposter attempting to imitate Santa, and the military goes on alert to blast him out of the sky. The sleigh is shot down and he is presumed dead by Halloween Town's citizens, but in fact he has survived the crash, landing in a cemetery. Although he is depressed by the failure of his plan, he quickly regains his old spirit, having come up with new ideas for next Halloween. He then rushes back home to rescue Santa and put things right.

Meanwhile, Sally attempts to free Santa, but is captured by Oogie. Jack slips into the lair and frees them, then angrily confronts Oogie. Almost immediately, Oogie springs a surprise trap on Jack by stomping a spider-shaped button. Some metal playing cards pop up and begin to attack. Oogie proceeds to keep attacking Jack, but is eventually defeated.

With Oogie gone, Santa reprimands Jack before setting off to deliver the right presents to the world's children. He makes snow fall over Halloween Town to show that there are no hard feelings between himself and Jack; the townspeople are confused by the snow at first, but soon begin to play happily in it. Jack spies Sally heading to the graveyard and follows her. Atop the graveyard's big hill, Jack reveals that he reciprocates Sally's romantic attraction to him. As they admit their love, they embrace and kiss under the full moon in the cemetery.

The Nightmare Before Christmas, often promoted as Tim Burton's The Nightmare Before Christmas, is a 1993 American stop motion musical fantasy film directed by Henry Selick and produced/co-written by Tim Burton. It tells the story of Jack Skellington, a being from "Halloween Town" who opens a portal to "Christmas Town" and decides to celebrate the holiday. Danny Elfman wrote the film score and provided the singing voice of Jack, as well as other minor characters. The remaining principal voice cast includes Chris Sarandon, Catherine O'Hara, William Hickey, Ken Page and Glenn Shadix.

The Nightmare Before Christmas originated in a poem written by Tim Burton in 1982, while he was working as a Disney animator. With the success of Vincent in the same year, Disney started to consider developing The Nightmare Before Christmas as either a short film or 30-minute television special. Over the years, Burton's thoughts regularly returned to the project, and in 1990, Burton and Disney made a development deal. Production started in July 1991 in San Francisco. Walt Disney Pictures decided to release the film under their Touchstone Pictures banner because they thought the film would be "too dark, and scary for kids."[2]

The Nightmare Before Christmas was met with critical and financial success. Disney has reissued the film annually under their Disney Digital 3-D format since 2006, being the first stop-motion animated feature to be entirely converted to 3-D.

Halloween is thought to have been influenced by Celtic folk customs and beliefs, some of which have pagan roots.Historian Nicholas Rogers, exploring the origins of Halloween, notes that while "some folklorists have detected its origins in the Roman feast of Pomona, the goddess of fruits and seeds, or in the festival of the dead called Parentalia, it is more typically linked to the Celtic festival of Samhain", which comes from the Old Irish for "summer's end". Samhain (pronounced SAH-win or SOW-in) was the first and most important of the four quarter days in the medieval Gaelic calendar and was celebrated in Ireland, Scotland and the Isle of Man. It was held on or about October 31 – November 1 and kindred festivals were held at the same time of year by the Brythonic Celts; for example Calan Gaeaf (in Wales), Kalan Gwav (in Cornwall) and Kalan Goañv (in Brittany). Samhain and Calan Gaeaf are mentioned in some of the earliest Irish and Welsh literature. The names have been used by historians to refer to Celtic Halloween customs up until the 19th century, and are still the Gaelic and Welsh names for Halloween.

Samhain/Calan Gaeaf marked the end of the harvest season and the beginning of winter or the 'darker half' of the year.Like Beltane/Calan Mai, it was seen as a time when the souls of the dead, and other beings such as fairies, could more easily come into our world. The souls of the dead were said to revisit their homes. Feasts were had, at which the souls of dead kin were beckoned to attend and a place set at the table for them.However, harmful spirits and fairies were also thought to be active. People took steps to allay or ward-off these harmful spirits/fairies, which is thought to have influenced today's Halloween customs.

As at Beltane/Calan Mai, bonfires were lit in parts of Scotland, Ireland, Mann and Wales. They were deemed to have protective and cleansing powers and were used in divination rituals. At the household festivities in these areas, there were many rituals intended to divine the future of those gathered, especially with regard to death and marriage.

In parts of Ireland, Scotland, Mann and Wales, the festival also included guising and mumming.This involved people going from house to house in costume (or in disguise) reciting songs in exchange for food.Guising at the festival goes back at least as far as the 18th century.It may have come from the Christian custom of souling (see below) or it may have a Celtic origin, with the costumes being a means of imitating, or disguising oneself from, the spirits/fairies. In some places, young people dressed as the opposite gender. In parts of Wales, men went about dressed as fearsome beings called gwrachod.In parts of southern Ireland, the guisers included a hobby horse – a man dressed as a Láir Bhán (white mare) would lead youths house-to-house collecting food; by giving them food, the household could expect good fortune from the 'Muck Olla'.

Elsewhere in Europe, mumming and hobby horses were a part of other festivals. However, they may have been "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers". When "imitating malignant spirits it was a very short step from guising to playing pranks". The guisers commonly played pranks in Ireland and the Scottish Highlands. Guising and playing pranks at Halloween spread to England in the 20th century.

The "traditional illumination for guisers or pranksters abroad on the night in some places was provided by turnips or mangel wurzels, hollowed out to act as lanterns and often carved with grotesque faces to represent spirits or goblins". These were common in parts of Ireland and the Scottish Highlands in 19th century.They were also found in Somerset (see Punkie Night). In the 20th century they spread to other parts of England and became generally known as jack-o'-lanterns